In 2011, BARCO a British based company which deals with picture solution suddenly jumps into sound market after hearing about Dolby’s 3D sound experiment and released its 3D sound version Auro 3D long side with Galaxy studios. During early 90’s, ‘DTS Inc’, a California based company directly started its research about DTS sound system in 1991, which Dolby had started in 1986 itself and released its urgent version immediately to beat Dolby’s market and miserably failed for its low quality and presently producing 5.1 system for DVD Players. Ect) and positioned itself as a best American company till date. Dolby is primarily started as a noise reduction system and further developed theatrical sounds, which is divided as Mono, Stereo and later leads to Surround systems (5.1, 7.1, 11.1….
DOLBY … Dolby is an American company, developed by Ray dolby in 1965 had been entertaining people with its high quality theatrical sound over 40 years. if u have these questions in the bank, then u are in the right page now!!. Which is the only factor which links Thalaivaa, Vanakkam Chennai & Sivaji3D. Whatever is the international demand but in an Indian Hindi spoofy, horror tale music plays a big part and here Saurabh Kalsi, Mikey McCleary and Shamir Tandon fail to give a ‘hit’ number.Ĭonclusion: Smoky in its eerie bills but spicy in its thrilling frills, Akshay Akkineni’s ‘Pizza’ delivers to the genre’s hungry fainthearted souls.Tamil Movie Reviews & News - DOLBY ATMOS Hear the Whole Picture The sounds of Pizza 2 – villa is well crafted with a seamless sound movement technology known as ‘Dolby Atmos’. It lacks the oomph, the sexual titillations a normal Hindi speaking audience looks for in a horror. The new age makers like Akshay Akkineni should offer hope but sadly the horror over here too is old school in this remake there is nothing new or fresh. Yes there is no ‘Raaz’ to the fact that many Hollywood inspirations lies beneath Bollywood horror stories. It is a bit ‘scary’ to find even horrors are now getting borrowed from south. Sreekar Prasad’s editing is crisp.īollywood is already bombarded by Kollywood, Tollywood remakes in the mainstream genre. Jayakrishna Gummadi’s camera does the talking as required. Tapas Nayak sound provides the desired effect. The technicalities are fine enough to lift the proceedings. He handles the fear, helplessness on his face with command. Akshay Oberoi introduces himself as an actor with maturity. He manages to take out some good work from the lead cast. His caliber improves in the second half thanks to the writings.
Slowly and surely he builds the momentum and the interest of the audience to come to a surprise end that differentiates this horror from others. He knows his job and handles the situations well.
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Nevertheless the writers do maintain the balance by an interesting windup (divulging the details will act as spoilers) to compensate on the eerie failure and they succeed to a lot of extant.Īkshay Akkineni the assistant to Bejoy Nambiar debut as full time director is impressive.
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‘Possessing’ all the routines a child, playing toys, a mysteriously looking woman, a man armed with an axe, disconnected telephones, a girl doing a reverse somersault (yeah the exorcist effect that eludes all since ages), dead bodies hanging on the floor, waiting in bathtubs, and yes of course a torch.Ī turn off for ardent followers but a turn on for those fainthearted who gets scared even by those TV horror shows. One night a delivery order in a bungalow leaves him strangled inside the house locked with increase in spirits reciprocating in decrease in the delivered Pizza pieces. Nothing much ‘Conjuring’ in the scary eerie genre writers Akshay Akkineni and Karthik Subbaraj choose to stay away from adding any significant horror toppings to this hit Kollywood Pizza to deliver the story of Kunal (Akshay Oberoi) a Pizza delivery boy who lives with his wife Nikita (Parvathy Omanakuttan) a wannabe ‘horror’ story teller while pati dev is more scared of his boss (played by Rajesh Sharma) than his wife spooky believes.
Though not much to ‘eerie’ about even with those 3D glasses, but certainly a ‘smart’ delivery as far as the trill factor is concern. Thanks to its ‘differently’ peppered ketchups and its thriller helpings in the second half makes up for those creaky and unimaginative exercises to scare during the first. Borrowing even scares from Kollywood, UTV Spot Boy and Getaway Films ‘Pizza’ - namesake remake of 2012-Tamil stunner directed by Karthik Subbaraj has nothing lying in beneath for any ‘sixth’ sense in this said ‘supernatural’ arrangement.
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